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Starring Kevin Bacon (Beauty Shop, Mystic River), Colin Firth (Love Actually, Bridget Jones's Diary) and Alison Lohman (Big Fish, Matchstick Men), Where the Truth Lies is a suspenseful mystery from acclaimed director Atom Egoyan. In the '50s, Vince Collins (Firth) and Lanny Morris (Bacon) are the hottest showbiz duo in America. The combination of Lanny's brash American style and Vince's biting British wit is irresistible, especially to beautiful women. When a beautiful young woman, Maureen (Rachel Blanchard) is found dead in the bathtub of the duo's suite, their glittery world begins to crumble. They have rock solid alibis and are exonerated of any criminal wrongdoing; however, the scandal caus! es the once inseparable pair to part company. Fifteen years later, Karen O'Connor (Lohman), a young and ambitious journalist, is determined to uncover the secrets of the two men who, coincidentally, touched her life when she was a child. She persuades a publisher to offer a guarded Vince Collins one million dollars to collaborate with her on writing the untold story of his life with Lanny Morris. There is one condition: the truth must be told about the scandal that destroyed the duo. What really happened the night Maureen died? As Karen continues to search for many different truths-the truth about Vince and Lanny, the truth about Maureen's death, and even suppressed truths about herself- she becomes embroiled in a tense and bewildering game of cat-and-mouse.Director Atom Egoyan's 2005 film
Where the Truth Lies is laden with nudity, sex, violence, lies, blackmail, betrayal⦠and really, what more could you want? Other than some genuine tension, a more compelling stor! y, and better acting, that is. In adapting Rupert Holmes' nove! l, the C airo-born Egoyan (
Ararat,
Exotica,
The Sweet Hereafter) has taken on a murder mystery with
film noir elements that will leave many viewers wondering exactly "whodunit" until the final few scenes; and while that's surely a good thing, the ride itself simply isn't all that scintillating. Kevin Bacon and Colin Firth star as a (Dean) Martin & (Jerry) Lewis-style team whose principal talents seem to consist mainly of pill-popping, soulless sex with a stream of nubile young women, and hosting an annual polio telethon. Fifteen years after their '50s heyday, journalist Karen O'Connor (Alison Lohman), who appeared on the telethon as a child, seeks out the pair to determine why they split up and, not coincidentally, what really happened to the dead girl with whom they had dallied the night before. Bacon is reasonably unctuous as the leering Lanny Morris; but Firth is uninspired as the more elusive Vince Collins, and although Lohman is game, she sometimes se! ems out of her depth in a role that calls for her to both seduce and be seduced, to manipulate and be manipulated. Egoyan, who also wrote the screenplay, has an eye for odd little details (much is made of Pan Am's first class dinner service, for instance) and an ear for great music (the soundtrack includes tunes by Charles Mingus, Louis Prima, the Mahavishnu Orchestra, and Funkadelic) and good dialogue ("Having to be a nice guy is the toughest job in the world when you're not"). But the film is curiously tepid; the sex is unconvincing, the mystery lacks a sense of danger, and the resolution is hardly shocking. One wishes that, having dipped into this genre, Egoyan had gone all out and made a film as delightfully sleazy as, say,
Basic Instinct.
--Sam GrahamChoice Outstanding Academic Title for 2002
An important collection of essays that looks at the changing relationships between anthropologists and Indians at the turn of the millennium.
Southern Indians have experienced much change in the last ha! lf of th e 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of "wannabe" Indian groups in the 1970s, and created innovative tribal enterprisesâ"such as high-stakes bingo and gambling casinosâ"in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in "Old South" days.
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the ! collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
This broad scope of inquiryâ"ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the "lost Indian ancestor" mythâ"results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.
Rachel A. Bonney is Associate Professor of Anthropology at the University of North Carolina at Charlotte. J. Anthony Paredes is Chief of Ethnography and Indian Affairs in the Southeast Regional Office of the National Park Service and editor of Indians of the Southeastern United States in the Late 20th Century. Raymond D. Fogelson is Profes! sor of Anthropology at the University of Chicago and author of! The Cherokees.
Additional reviews:
"Anthropologists and Indians in the New South reaches beyond the Southeast to touch on issues in all areas of Native American studies and on contemporary methodological and ethical issues in anthropology and other fields such as history. It makes an excellent resource for research as well as teaching. . . . invaluable to any course about Native American culture, history, and contemporary issues."â"American Indian Culture and Research Journal
"A nice contribution to the Southeastern anthropological literature for several reasons. First, it highlights the increasingly positive rapprochement between anthropologists and Indians rather than dwelling on the negative, as is so often done. Levy's article on the positive outcomes of NAGPRA is an example of this refreshing perspective. Second, it focuses on the changing relations between these two groups, reminding us that all cultures change; anthropology is ! no exception. Finally, all of the articles are tied together by the common theme of how anthropology has changed as the relationships between anthropologists and Indians change. Maintaining a strong theme throughout an edited volume is no easy task, especially when there are so many authors. Bonney and Paredes have done a commendable job in keeping this theme alive in each of the chapters and in the introductions to each section. Regardless of one's position on applied anthropology, readers will find the case studies presented here to informatively and succinctly characterize the changing nature of anthropologist-Indian relations in the Southeast today."â"Southeastern Archaeology
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