Thursday, November 10, 2011

DON'T LEAVE THE TABLE ("I'll use the three hundred men..." Judges 7:7)

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Jorge is a morbidly shy Ecuadorian dishwasher toiling away in a shabby diner in Queens, New York. From his solitary kitchen corner, Jorge quietly attempts to forge a bond with Amy, the newly hired Chinese waitress, but even though she tries to reciprocate, the gulf that separates them may be too large. On the job he is continually tormented by a coworker, and at home, in his Harlem apartment, under the psychological control of his domineering "roommate," he battles his inner demons. Choking Man captures the feeling of claustrophobia and almost literal asphyxiation newcomers to America experience as they struggle to find a place and purpose in this strange land.As we talked, ate and visited a scary thing happened! It! has not happened to me before.
I choked on something! My breathing was cut off! Well I took the Red Cross classes and I know just what to do right? I quickly learned that there is a vast difference between knowing what to do and doing what is supposed to be done. I know exactly what to do for others and I know what I should do for myself but as I was choking I calmly got up from the table and walked away...that was when I almost died...
(A Devotional, All proceed benefit M300 Ministries)As we talked, ate and visited a scary thing happened! It has not happened to me before.
I choked on something! My breathing was cut off! Well I took the Red Cross classes and I know just what to do right? I quickly learned that there is a vast difference between knowing what to do and doing what is supposed to be done. I know exactly what to do for others and I know what I should do for myself but as I was choking I calmly got up from the table and walked away...that was when I! almost died...
(A Devotional, All proceed benefit M300 Min! istries)

Ghosts of the Abyss

  • Walt Disney Pictures and James Cameron, the Academy Award(R)-winning director of TITANIC (1997), present the groundbreaking cinematic achievement GHOSTS OF THE ABYSS. Joined by his personal friend Bill Paxton (TITANIC) and a team of the world's foremost history and marine experts, Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic. During the vo
GHOSTS OF THE ABYSS - DVD Movie

Dawn of the Dead (Widescreen Unrated Director's Cut)

  • The Lost Tape - 15 minutes of terrifing footage
  • Special Report - Zombie Invasion
  • 12+ minutes of deleted scenes
  • Commentary with director Zack Snyder and producer Eric Newman
Packed with more blood, more gore, and more bone-chilling, jaw-dropping thrills, Dawn of the Dead Unrated Director's Cut is the version too terrifying to be shown in theaters! Starring Mekhi Phifer, Ving Rhames and Sarah Polley in an edgy, electrifying thrill-ride.

When a mysterious virus turns people into mindless, flesh-eating zombies, a handful of survivors wage a desperate, last-stand battle to stay alive…and human.Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's 1978 original was sacred ground for hor! ror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this Dawn as an excellent zombie-flick double-feature with 28 Days Later, its de facto British counterpart. --Jeff S! hannon

Dumb and Dumberer: When Harry Met Lloyd

  • THE MISADVENTURES OF TWO INCREDIBLY STUPID GUYS.You ll be dumbstruck. That s a good thing. Lloyd (Jim Carrey) and Harry (Jeff Daniels) deliver a delirious no-brainer (Side A s Dumb and Dumber) as they hit the road to return a misplaced briefcase to its owner (Lauren Holly). The fellas don t know the case is crammed with ransom money. But you will. And so will the mob guys trying to get the case ba
Movie DVDDUMB AND DUMBER DOUBLE FEATURE - DVD Movie

The End of Days: Armageddon and Prophecies of the Return (The Earth Chronicles)

  • ISBN13: 9780061239212
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
WHEN A BURNED-OUT FORMER NEW YORK CITY COP NAMED JERICHO THWARTSA HIT ON A MYSTERIOUS AND FOREBODING STRANGER, ALL HELL BREAKSLOOSE. WHILE INVESTIGATING THE CRIME, HE FINDS HIMSELF THERELUCTANT SAVIOUR OF THE BEAUTIFUL AND TERRIFIED CHRISTINE YORK,WHOSE DESTINY INVOLVES DEATH, THE DEVIL AND THE FATE OF MANKIND.After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatica! n when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impac! t. You're left instead to savor the verbal and physical sparri! ng betwe en Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Lydia Lozen Magruderâ€"the great-granddaughter of a female Apache war-shamanâ€"has seen visions of the End since childhood. She has constructed a massive ranch-fortress in the American Southwest, stocked with everything necessary to rebuild civilization.

Now her visions are coming true. John Stone, once a baseball star and now a famous gonzo journalist, stumbled across a plan to blast humanity back to the stone age. Then he vanished. Lydia̢۪s only hope of tracking him down lies with her stubborn, globe-trotting daughter, Kate, Stone̢۪s former lover.

Kate is about to step right into the plotters̢۪ crosshairs. Stone has been captured by a pair of twin Middle Eastern princesses, hell-bent on torturing him until he reveals ! all he knows.

Meanwhile, a Russian general obsessed with nuclear Armageddon has also disappeared...as have eight or more of his Russian subs, armed with nuclear-tipped missiles.

The world is armed for self-destruction.

Who will survive?

All hell breaks loose when Arnold Schwarzenegger battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop is assigned to security detail for a mysterious stranger (Gabriel Byrne), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (Kevin Pollak) save the life of the beautiful and terrified Christine York (Robin Tunney), whose destiny involves death, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever!After a two-year hiatus that included recovery from heart surgery, Arnol! d Schwarzenegger returned to the big screen in November 1999 w! ith E nd of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie! that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Why is it that our current twenty-first century A.D. is so similar to the twenty-first century B.C.?
Is history destined to repeat itself? Will biblical prophecies come true, and if so, when?

It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnakiâ€"the extraterr! estrials who fashioned man and gave mankind civilization and r! eligion. In this new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.

In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Futureâ€"that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.

In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.


Addicted to Her Love

  • ADDICTED TO HER LOVE (DVD MOVIE)
Maggie and Sam seek revenge against their exes: in the parks, lofts and trendy eateries of New York's SoHo, they unleash their diabolical brand of urban espionage.
Genre: Feature Film-Comedy
Rating: R
Release Date: 3-FEB-2004
Media Type: DVDActor-director Griffin Dunne made his filmmaking debut with this ethically ambiguous and not-very-funny movie about a pair of jilted lovers (Meg Ryan and Matthew Broderick) who conspire to break up a relationship between their ex-sweethearts (Tchéky Karyo and Kelly Preston). Part classic screwball comedy, part nightmare along the lines of Martin Scorsese's After Hours (in which Dunne starred), part tribute to Hitchcock's Rear Window, Addicted to Love is all over the map and seriously hampered by the sheer, unwarranted nastiness aimed at the innocent characters ! played by Karyo and Preston. --Tom KeoghSummer Catch Rock Star Home Fries Addicted to LoveWes Holiday sells his landscaping business and retreats to a quaint mountain town to heal after ending a ten year relationship with a woman he couldn’t bring himself to marry. In three weeks he is so captivated by a hair stylist that he deprives himself of food and sleep to be near her. When the local sheriff is murdered, Wes is recruited to keep the peace in the town his parents built, but he knows nothing about law enforcement and he’s struggling to understand how a woman he just met can dominate his every waking thought. Soon the idyllic town with a penchant for romance is rocked by a bizarre series of murders that defy explanation and it is up to Wes to stop a raging epidemic of violence.


Wes Holiday sells his landscaping business and retreats to a quaint mountain town to heal after ending a ten year relationship with a woman he couldn̢۪t bring himsel! f to marry. In three weeks he is so captivated by a hair styli! st that he deprives himself of food and sleep to be near her. When the local sheriff is murdered, Wes is recruited to keep the peace in the town his parents built, but he knows nothing about law enforcement and he̢۪s struggling to understand how a woman he just met can dominate his every waking thought. Soon the idyllic town with a penchant for romance is rocked by a bizarre series of murders that defy explanation and it is up to Wes to stop a raging epidemic of violence.


Actor-director Griffin Dunne made his filmmaking debut with this ethically ambiguous and not-very-funny movie about a pair of jilted lovers (Meg Ryan and Matthew Broderick) who conspire to break up a relationship between their ex-sweethearts (Tchéky Karyo and Kelly Preston). Part classic screwball comedy, part nightmare along the lines of Martin Scorsese's After Hours (in which Dunne starred), part tribute to Hitchcock's Rear Window, Addicted to Love is all over the map and serio! usly hampered by the sheer, unwarranted nastiness aimed at the innocent characters played by Karyo and Preston. --Tom KeoghAddicted to "Love" describes the many forms this addiction can take. Like alcoholics or drug addicts, love addicts get high on sex and romance and need ever-greater doses to keep going. Stephen Arterburn examines this addiction-who it afflicts and what you can do if you suspect that your spouse, friend or family member may be suffering from it. With compassion and wisdom, Arterburn points the way to psychological and spiritual healing that can enable men and women to enjoy real and lasting intimacy.“Fast Times at Ridgemont High meets Kids” â€"Independent Film Quarterly. At a graduation party, Jonah Brand (John Patrick Amedori) catches the eye of the popular and beautiful Sara Weller (Lizzy Caplan). When her hard-partying circle of friends learns Jonah works at a pharmacy, they welcome him into their group and lure him down a da! rk path of excess, lies and deceit.

Exporting Raymond - Framed Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • You are looking at a beautiful, professionally framed poster.
  • This frame is made specifically for 11 x 17 posters.
  • Packaged and shipped in a sturdy corrugated box.
  • Clean and sharp looking aluminum frame with clear plexiglass.
  • This poster is from Exporting Raymond (2010)
Phil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner ! at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond completed its run, and in the wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should b! e no problem, right? Soon enough, Rosenthal runs into humorles! s networ k executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert HortonPhil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilari! ous Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the! TV sitcom. After the U.S. Raymond completed its run, a! nd in th e wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs into humorless network executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but! was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert Horton
The Crude Truth: Do you want to know why you're paying so much at the pump these days? Raymond J. Learsy, a longtime commodities trader, explains the real facts behind today's outrageous gasoline prices by lifting the veil from the Mideast oil cartel. He shows how OPEC manipulates the oil markets with results that are destabilizing to the world's economy and threatening to America's national security. With refreshing candor and an insider's perspective, Learsy explains how OPEC: - promotes a bogus perception of oil scarcity in order to hike prices and gain political power. - is compromised by connections to Islamist terrorists, who fuel anti-American hatred with dollars from our own pockets. - keeps Third World populations in crushing poverty, despit! e rich oil deposits found in their countries. - became the de ! facto ma ster of Iraq's newly liberated oil fields. Along with a sweeping survey of OPEC's methods of economic domination, Over a Barrel offers a well-informed strategy for busting the Mideast oil cartel and charting our nation's course towards energy independence.

Longtime commodities trader Raymond J. Learsy lifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing candor and an insider's perspective, Learsy explains how OPEC:



  • twists bogus perceptions of oil scarcity to hike prices and gain political power

  • is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets

  • keeps Third-World nations in abject poverty despite their rich oil deposits

  • and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of ! economic dominance, this book explains how to bust the Mideast oil cartel and chart our own course toward energy independence.

Longtime commodities trader Raymond J. Learsy lifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing candor and an insider's perspective, Learsy explains how OPEC:



  • twists bogus perceptions of oil scarcity to hike prices and gain political power

  • is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets

  • keeps Third-World nations in abject poverty despite their rich oil deposits

  • and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of economic dominance, this book explains how to bust the Mideast oil cartel and chart our own course toward energy independence.

MovieGoods ha! s Amazon's largest selection of movie and TV show memorabilia,! includi ng posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

The Godfather

  • ISBN13: 9780451205766
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
More than thirty years ago, a classic was born. A searing novel of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones-and became the definitive novel of the virile, violent subculture that remains steeped in intrigue, in controversy, and in our collective consciousness.The story of Don Vito Corleone, the head of a New York Mafia family, inspired some of the most successful movies ever. It is in Mario Puzo's The Godfather that Corleone first appears. As Corleone's desperate struggle to control the Mafia underworld unfolds, so does the story of his family. The novel is full of exquisitely detailed characters who, despite ! leading unconventional lifestyles within a notorious crime family, experience the triumphs and failures of the human condition. Filled with the requisite valor, love, and rancor of a great epic, The Godfather is the definitive gangster novel.

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